Nintendo Switch
Nintendo have finally unveiled their next platform, and it’s called Nintendo Switch.

Coming next March, Nintendo debuted the machine in a three-minute lifestyle video this afternoon, and it seems the rumours were right. The Switch sees Nintendo merging their handheld and home console strategies into one flexible platform, with a tablet that you can either attach tiny controllers to and take on the go, or dock at home to connect to your television. The console uses 3DS-like cartridges for its games because, obviously, you aren’t going to want to take a wallet of optical discs with you when you’re out and about, and while handy, this would seem to be the death knell for physical backward compatibility.

We’re yet to see official specs for the system, but NVIDIA this afternoon revealed that the Switch is powered by a custom Tegra system-on-chip – an ARM part, and another detail that has long been rumoured. Given that we don’t know what this custom SoC actually is (both X1 and the upcoming X2 have been rumoured), it’s difficult to guess at how the Switch will perform – at least relative to the Wii U, as it’s unlikely to trouble either Xbox One or PS4 in performance. But more important than that, surely, are the games that the machine will run.

If the leaks and rumours have taken a bit of the surprise out of the console reveal, there was at least the unexpected appearance of the upcoming Skyrim remaster in the reveal trailer, as someone was shown playing Bethesda’s fantasy RPG on a plane, before returning home to dock the tablet and continue their adventure. Also present were Mario Kart 8 and Splatoon, two titles which have been rumoured to be getting ports to the new platform, as well as The Legend of Zelda: Breath of the Wild, NBA 2k17 and a 3D Mario game. Nintendo have also announced a selection of the third party support the Switch will, hopefully, enjoy, which includes names like Telltale, Take Two, From Software and more. You can see a larger list on this handy slide.

So let’s talk a little more about the hardware. As above, we don’t have specs yet, but we can talk in a bit more detail about the ways in which you’ll play the Switch. The tablet comes with two small detachable controllers, each containing an analogue stick and a collection of face buttons. These ‘Joy-Cons’ can be used separately, with one in each hand, or attached to a controller-shaped unit called the Joy-Con Grip to create a more traditional, albeit odd-looking, controller option. The Joy Cons can also be used for multiplayer games, with each player using one, and then there’s the Nintendo Switch Pro Controller as a separate option.

Swicth Options

It’s an interesting strategy for sure, and I think it makes sense given Nintendo’s relative strengths; their handhelds have pretty much always outpaced their home consoles in sales, and it’s hard not to argue that the 3DS has enjoyed better third party support than the Wii U. Indeed, even in an apparently shrinking handheld market, the 3DS has managed almost 60 million sales, so it’s not a bad idea for Nintendo to make an attempt at unifying both of those markets. With the Switch being fully capable of handheld play, it’ll be interesting to see how long the company continue to support their current portable system, but if the Switch comes in at a reasonable price and gets the next mainline Pok√©mon game, it could do very well for itself indeed.

The Switch concept is unlikely to do much for those that have been clamouring for Nintendo to just release a simple, traditional home console free of gimmickry or new ideas, but as someone who plays handhelds quite a lot, I’m pretty optimistic about it. I love my Vita, but one of the reasons I was excited for it in the first place was the promise of console quality games on the go. While there’s still a ton of interesting games coming to that platform, the bigger budget titles have long since dried up. With Switch, the possibility has returned, and even if third party content does slow to a Wii U-style trickle, there’s still the promise of playing Nintendo’s own games, like Breath of the Wild, while you’re on the go.

For now, we’ll have to wait for hardware specs and launch pricing, but you can check out the unveil trailer below.

Mercy Witch
Well that was poorly timed! On Tuesday, I wrote about my plan to fall back in love with Overwatch by forcing myself to learn how to play heroes I’d previously neglected and, more importantly, ignoring competitive. And then that evening, Blizzard dropped the Halloween Terror event on us.

Featuring new, themed loot boxes that bring additional skins, icons, sprays and more, along with – most excitingly – a new brawl called Dr. Junkenstein’s Revenge, the update is now live on all three platforms. In a first for Overwatch, the new brawl is a co-operative PvE survival mode which pits four players against wave upon wave of fodder interspersed with a handful of boss waves that bring reskinned heroes – there’s a pumpkin-headed Reaper, Roadhog as Junkenstein’s Monster, Mercy as a Witch of the Wilds, and finally, Junkrat as the twisted Dr. Junkenstein himself.

Taking place on a portion of the Eichenwalde map, the four players – one each of Soldier 76, McCree, Hanzo and Ana – must defend the door to the castle from oncoming ‘zomnics’ that trundle endlessly to the door before exploding in an attempt to bust in, while ranged ‘zombadiers’ rain down mortars upon you. You’ll often find yourself trying to prioritise these ranged targets, accidentally letting a couple of the bumbling explodey ones sneak by, and every now and then a RIPtyre or two will come screaming toward you to divide your attention even more. The brawl is pretty tough on medium if you’re playing with randoms and have no communication going on, and even on easy you might find yourself overwhelmed now and again, though you’re obviously much more likely to pull it back from the brink.

It’s a really fun mode, and a nice palate cleanser for all the PvP madness that Overwatch is known for. I’ve always wondered what a co-op PvE mode could be like with Overwatch‘s roster and their abilities, and it turns out it’s something that I’d like to see remain in the game. Ok, so it’s heavily-themed, but maybe after the Hallowe’en period is over they could rework it somewhat to allow it to stay. Or maybe even use it as a jumping off point for something even better.

In a nice change, you can now purchase new cosmetic items with your in-game credits – something you weren’t able to do with the previous seasonal event, the Summer Games. To keep the items fairly rare, Blizzard have priced them at three times the going rate, so you’re looking at 3,000 credits for a legendary skin. Unfortunately, this does mean that I can’t afford that awesome Mercy skin, but I was able to buy Ana’s new look, which is equally fantastic. Ana isn’t even a hero I’ve played outside of the training area, but that’s something I’m looking to change, and indeed, the entire point of my plan for getting back into the game is to learn new heroes.

How cool is this!

How cool is this!

So how does this affect that plan? Well, originally I was thinking of focusing on Mercy first, as a new character to learn (and if that awesome skin drops for me, that’ll make me want to play her even more!), but given that this limited-time brawl focuses only on four characters, I’ve decided to use it as a way of getting used to those ones; I mentioned the other day that Soldier is a hero I’ve used a fair bit, but the other three are all essentially new to me. So before jumping into the brawl for a bit last night I headed into the training area to make sure I had their abilities straight in my head, as I wanted to know I’d have some idea of what to do no matter who I ended up playing as. It turns out that most players will insta-lock McCree, and that nobody wants to play Ana in this mode.

So I’ve been playing Ana. Again, she’s not a character I’ve ever really played, despite finding her abilities interesting; she seems like she’d be a pretty high skill ceiling hero, which makes me wonder if I could actually be effective with her, and I’ve always been really crap with snipers too. So it wasn’t much of a surprise to find I could barely hit anything with her at first, and I also found it difficult to get heals on team mates when they were at a medium distance and strafing a lot. Hitting them from afar is much easier, thankfully, so I took to the high ground in the back-right corner of the arena and tended to stay there, throwing out damage-over-time attacks to enemies for the most part, and then trying to pick up allies when they needed healing.

Ana also has a biotic grenade which heals allies while stopping enemies from being healed, and you’ll mostly be using it for its healing effects in this brawl; for the most part, enemies aren’t getting any healing. This changes when Mercy comes out as a boss wave with Roadhog, so this is a good time to use it on ‘Hog, to prevent Mercy from shoring him up. One thing I did find myself forgetting to use quite often is Ana’s sleep dart – in my first couple of games, I almost completely forgot that I had it, but then realised it might be a good idea to use it on Junkrat when he appears on the ramparts to rain down bombs on you. While this is happening, you’re generally dealing with a ton of adds, so it’s useful to stop Junkrat for a few seconds while you clean up.

I feel like I’m getting a good feel for how Ana handles thanks to Junkenstein’s Revenge. As I said above, since being added to the roster she’s been a bit of an intimidating character to me, so it’s nice to be able to get used to her in a (relatively) stress-free environment. One thing this doesn’t help me with is figuring out the best use for Ana’s ultimate, Nano Boost. Of course, in the brawl I only have three choices of who to stick it on, and given Hanzo’s relatively slow rate of fire, it seems like only two are actually viable to me. In a proper match, I’ll have many more options, so before long I’ll need to get out into a game and see what’s what. I think I’ll still move on to step two of the plan – playing a game vs AI – before I jump straight into Quick Play, just to make sure I know what I’m actually supposed to be doing with Ana.

So! A quicker update to my boot camp plan than I intended. I think over the next few days I’ll get some more practice in with both McCree and Hanzo against the zomnic horde, and maybe try and get into Quick Play with at least Ana. I want to spend as much time as possible on the brawl before it disappears though, and I really do wish it would stay. Overwatch could do some amazing things with a PvE mode and all of these amazing characters and abilities.

The brawl has actually had the effect of bringing me back to Overwatch when I was searching for my own way back, so in that sense it was well-timed. It’s a nice stepping stone to getting back out into the standard modes once it’s gone away, and below you can watch a quick match with me as Ana, where I start off awful and get ever-so-slightly better. I’ll be back in the coming days with another update.

OW hero banner
Like millions of other people, I fell hard for Overwatch. I must admit to not having followed it at all until the console closed beta back in April; I was vaguely aware of its existence, but didn’t know much about it at all. So it was out of sheer curiosity that I decided to try the beta on Xbox One. I jumped into a game against AI opponents to learn the ropes, and discovered that I had no idea what was happening or what I was supposed to do. Matches were over so fast that it was difficult to actually learn anything at all.

So I entered a game against fellow humans, woefully unprepared, and began to learn the hard way. Now, I’m not really one for online competitive shooters to be perfectly honest – Halo is really the only series whose multiplayer I’ve bothered to get to grips with, give or take a few dozen hours in Titanfall, because mechs and wall-running – so I only played a handful of games over the beta period. Enough to get a rough idea of what it is you do in Overwatch.

Yet after the beta ended, I found that I couldn’t get the game out of my head. There was something about it that kept firing my imagination, and I took to posting about it on forums, discussing it with friends, and then watching strategy videos on YouTube, which is when the game really started to come into focus and excite me with the possibilities: “I didn’t even try that character!” I’d think to myself. My mind ran away with all the cool things I could do with this character on that map, or even with a certain hero in a specific circumstance. I was hooked. I pre-ordered the limited edition. Blizzard had me.

So this is a thing that seems to be happening.

So this is a thing that seems to be happening.

And when the game came out, I immediately fell in love with it. I played it daily, sharing plays of the game online and with friends, uploading my own clips to YouTube, discussing my own strategies, and just plain having a ton of fun with the game.

Then came competitive, and I loved that too. I found it so much more fun than quick play, much more focused and less ‘messy’, thanks to the lack of hero stacking and players taking better account of team composition. When the season ended and I was forced back into quick play, I was a little disappointed.

So when competitive began anew with its second season, I couldn’t wait to jump in. And I was off to a flying start, winning my first four placement games on the trot. I joked to friends that I was obviously due a losing streak. I was. I lost all of the remaining placements bar one, which ended in a new-for-season 2 tie. I’d heard people complaining about ‘the slide’, and wondered if this was mine. It was, and it lasted weeks.

It was all going so well...

It was all going so well…

Yep. I didn’t win a game for almost an entire month. Of course, it’s not quite as catastrophic as that sounds; I was already playing the game less and less thanks to the streak of demoralising, one-sided losses I found myself in, managing maybe four or five games a week. But I didn’t win a single one of them, and eventually I found myself avoiding the game entirely. I’d still read and talk about Overwatch online, but my comments had a bitter edge to them. I’d still watch gameplay and strategy videos online, I’d still keep up to date with changes and new hero speculation. But when I thought about actually playing it, I’d have to force myself. I’d play for half an hour, spend the whole time getting utterly crushed, and then abandon it for another week. It went from something I loved being a part of, to something I only enjoyed at arm’s length: I still loved the game, I just didn’t want to actually play it.

All of which brings me up to today, with the game currently back in the headlines thanks to the surely-imminent Hallowe’en event and players hoping to greet a new hero in Sombra, I devised a plan. I’m going back to boot camp.

The first step to getting back in the game is avoiding competitive. Getting steamrolled in ranked matches is just too damn demoralising, so I’m going to just give it a wide berth for a bit. Secondly, I’m going to focus on heroes that I’ve neglected. At launch, my idea was to build up a base of three or four heroes that I felt really good with, and then branch out from there, and I was (and still am) very comfortable and confident with Pharah, Lucio and D.Va. I was also starting to get good with Junkrat, Mei and Soldier back when I was still playing regularly, but when the slide began and I started to drift away from the game a bit, I’d find myself falling back on my mainstays. This means I now suck with at least two of those heroes (I think I’m still kind of OK with Soldier).

It's going to be difficult not to autolock D.Va, because she's so damn awesome.

It’s going to be difficult not to autolock D.Va, because she’s so damn awesome.

So that’s why I’m going back to boot camp. I’m taking myself into an environment where I’m not so afraid to lose and I’m going to branch out, try new heroes and work at getting better. I started last night, taking my first step to getting back into the game by jumping into quick play for a few games with my established heroes, just to get my feet wet again. But over the coming days and weeks I’m going to force myself to vary my picks and get better with a wider array of heroes. To do this, I’m going back to the way I got to grips with a handful of characters right at the start, before rushing into the game and subsequently neglecting much of the cast. So I’ve given myself these three steps:

1: Jump into the training arena to get to grips with a hero I haven’t played before. Obviously I have a working understanding of every character, having played against them all at some point in my 50-odd hours with the game, but that’s not the same as actually using them. I need to learn what to do with them myself.

2. Play a few VS AI games with that new hero to see how they play in an actual match environment. I’ll go for medium AI so that the match isn’t over in seconds and thus teaches me nothing of note.

3. Take that hero into quick play and see how I get on.

I’m not sure how much more frequently I’m going to be playing Overwatch with this plan in mind, given we’re now entering video game silly season – indeed, Gears of War 4 is out today and I want to give that the time it deserves, too – but I do know I miss the game a lot and want to get back to having fun with it. So I think what I might do is set myself a loose goal of learning a new hero a week and then reporting back on a weekly basis. That also has the positive side effect of getting me to write more, which is another thing I’ve been neglecting of late.

So we’ll see how it goes. With any luck, I’ll see you back here next week with a new hero under my belt and, hopefully, some fun Overwatch stories to tell. Who knows, I might even give my Elgato a work out and get some video evidence on the go. At the very least, even if I don’t get back into competitive and find myself enjoying it again, at least I’ll have seen more of what the game has to offer.

One of the Xbox 360’s most beloved titles has finally made its way to the current generation, as Mistwalker’s Lost Odyssey launches today for Xbox One’s backward compatibility programme.

Directed by ex-Squaresoft legend Hironobu Sakaguchi – the father of Final Fantasy – with music by fellow Final Fantasy icon Nobuo Uematsu, Lost Odyssey is something of a rare breed: a jRPG exclusive to a Microsoft platform. It stars the immortal warrior Kaim Argonar, who has wandered the world for a thousand years, yet remembers little of it thanks to a bout of jRPG amnesia. It’s an incredibly traditional example of the genre, complete with a turn-based battle system – albeit with a dynamic touch thanks to a timed ring-matching system – that many fans hold up as being truer to Final Fantasy‘s legacy than the last decade of titles in the series that effectively spawned it. Also of note are the ‘Thousand Years of Dreams’, lost memories of Kaim’s that you can find throughout the adventure which contain some of the best writing you’ll find in the genre.

LIRUM ;____;

Lirum!!! ;____;

Lost Odyssey has been one of the most wanted games for Microsoft’s backward compatibility programme since it was announced back at last year’s E3 conference, though the lack of support for multi-disc games (Lost Odyssey comes on four of them) held up its availability. Deus Ex: Human Revolution Director’s Cut was the first multi-disc game to launch for the programme earlier this year, so it had been assumed that it was simply a matter of time until Mistwalker’s game saw release.

Lost Odyssey will remain a strictly physical release, as a Games on Demand version does not exist on the Xbox storefront, so you’ll need a copy of the game if you wish to play it on your Xbox One. Inserting disc 1 will prompt a 22GB file to download and, according to a post on NeoGAF, the game is only playable with that first disc in the drive; discs 2, 3 or 4 simply will not work. While this sounds a bit odd, it also means you will no longer need to switch discs while playing, which can only be a good thing.


Also announced for backward compatibility today are Disney’s Toy Story 3 and Guwange, a Muromachi Period-set vertical shoot ’em up from genre legends Cave. They come hot on the heels of the addition of Call of Duty 3, World at War and Sega’s Virtua Figher 5: Final Showdown and it’s excellent to see continued support with more big name, much-loved titles making the generational jump. There are now more than 250 Xbox 360 titles available to play on Microsoft’s current machine, and apart from the benefit to end users, it’s a great way to ensure some degree of preservation for games otherwise locked on old systems.

Back in March, Square Enix’s grand event to finally, finally announce a release date for the long-in-development Final Fantasy XV came with a number of surprises. The Japanese publisher appeared to be incredibly bullish about the upcoming RPG, and unveiled a catalogue of cross-media projects to compliment it. There was a five-part anime series to give us the background on the main characters and their relationships. There was the obligatory mobile game tie-in. And then there was Kingsglaive. Easily the most exciting part of the extended media offering, here was a beautiful CG movie in the vein of Final Fantasy VII‘s Advent Children, and it came completely out of nowhere.

Of course, the game’s release date has since slipped, even as all the marketing has remained on target. And that includes Kingsglaive: Final Fantasy XV, now available to buy on a handful of digital platforms. What was once a mouth-watering starter to the main course of Final Fantasy XV must now span a two month gap until the long-awaited title is in our hands. But does it slake our thirst for Final Fantasy or leave us unsatisfied?

Kingsglaive: Final Fantasy XV effectively acts as a visually-spectacular two-hour cutscene intro to the full game, setting the scene for Noctis and friends’ world-spanning road trip. It introduces us to the conflict between the magical kingdom of Lucis, empowered by an enormous crystal, and the military empire of Niflheim, which uses its magitek creations and enormous ‘demons’ to conquer and subjugate other nations. King Regis of Lucis assembles a group of elite warriors empowered by the crystal, dubbed the Kingsglaive, and though they are able to wield powerful magic, they are unable to turn the tide. After years of war, the empire sends its chancellor, Ardyn Izunia, to initiate peace talks to be held in Insomnia, the capital of Lucis. Of course, there is an ulterior motive, and as both sides scheme around the talks, each takes the opportunity to end the war in their favour.

Which begs the question: why would the Lucians agree to hold the talks in their capital city, inviting their enemies right into the heart of their land? Why not a neutral location? Because Kingsglaive doesn’t really make a lot of sense, that’s why. It’s entertaining enough in its big, flashy action setpieces, and there’s a ton of fan service in here for those looking (including monsters like the behemoth, summons, and even an appearance by a curious character from Final Fantasy VI), but the thrust of the story isn’t particularly engaging thanks to implausible decisions made by literally every character in play.


There’s a curious subplot about immigration threaded through much of Kingsglaive‘s narrative. As Niflheim marches through Lucis, conquering the outer reaches of its territory in the process, its citizens are driven toward the capital city of Insomnia, to take shelter beyond its magical wall. It’s a thread that’s never really developed or explored beyond a few jibes and uses of the word immigrant; even our protagonist Nyx, Kingsglaive member and so-called immigrant himself, is unable to give us any real insight into what life was like for him before he came to Insomnia. And then there’s the fact that these people are still Lucians, they’re just not from the nation’s capital, which makes the whole thing feel a little forced. Perhaps ‘refugee’ would have been a better word to use, and it may have even enabled Kingsglaive to say something interesting about people fleeing conflict.

Instead, it’s used as a basic plot device to provide justification to characters who don’t quite get the development they need, despite a relatively small core cast and a two hour runtime. These are pretty digital avatars that exist to look cool and do awesome things, rather than believable people with their own needs and desires, and as such it’s hard to develop much of an attachment to them. We’re told what these people are fighting for, but never shown, so we never really get a real feel for their motivations. And when we see a character die, we’re not sad for the loss of someone we had become interested in, but rather disappointed that we likely won’t see them in the game, where we might have learned more about them and actually come to care for them.

There’s also the issue of Luna. The female lead in both the game and the film, Lunafreya Nox Fleuret is the princess of the conquered kingdom of Tenebrae, and we’ve long been assured that she’ll be a strong character – necessarily so, to balance out the all-male core cast of the game. Yet she spends almost the entirety of the film being dragged around by men who either seek to use her or need to protect her. Telling the audience, repeatedly, that she’s not afraid to die if it means accomplishing her mission doesn’t really count as strength when she repeatedly throws herself into peril that she needs to be saved from. Here’s hoping there’s more to her in the full game, rather than just being a device to enable Noctis’ destiny.

And yet for all that, Kingsglaive still manages to engage and entertain in a handful of ways. Of course, part of the attraction is the astonishing animation work on show; if you thought Advent Children Complete looked amazing, Kingsglaive is on another level altogether – it simply appears photoreal at times. The illusion is tarnished somewhat by the widespread use of ADR, but the film is just incredible to look at, whether you’re gazing at its characters, locations or flashy special effects. Fight scenes are big, brash and full of carnage, well choreographed even if the director sometimes forgets to frame the action appropriately, though the latter stages of the film can hew a little too close to Zack Snyder’s Man of Steel for comfort. And while much of the supporting cast are a little overwrought, the core trio of Sean Bean, Lena Headey and Aaron Paul turn in good, naturalistic performances – at least, as far as the material they’re given allows.


Of course, the other big draw Kingsglaive has is that it allows us a look into that enigmatic universe that so many of us have been dying to get to know for a decade now, and that the film finally cracks open a window that we might peek inside is genuinely exciting. That fantasy based on reality is now a little closer to being real and in our hands, and Kingsglaive even has something for those that have been following every trailer since the first one back in 2006, delivering its own take on that now-iconic party/invasion scene that fans had been obsessively watching as they hung on for news, this time playing host to a meeting between Nyx and Luna, rather than Noctis and Stella.

It’s clear to see that some material excised from the game in the switch from Versus XIII to XV has been repurposed for this film, and the fact that we’ll now never experience the invasion of Insomnia in-game genuinely saddens me. As such, Kingsglaive ultimately leaves me with mixed feelings; though I’m more excited for the game having seen the film, I’m simultaneously a bit sad for what might have been. Since its re-reveal back at E3 2013, fans have been digging into every detail in an attempt to pick apart the differences between Tetsuya Nomura’s vision of Versus XIII and Hajime Tabata’s Final Fantasy XV. As a preamble to the game, Kingsglaive doesn’t give us much to go on, other than adapting the invasion of Insomnia and contriving a reason for Noctis’ absence, but there’s still the nagging sense that maybe this isn’t quite the same world we’ve spent a decade pining for, even if the nouns remain the same.

But ten years later, this is the world we’re getting, and the journey begins with Kingsglaive. As an introduction to Final Fantasy XV‘s world and lore, it works – just about – and there’s plenty for series fans to salivate over. It’s also gratifying to see just how much fantasy there actually is in this newest incarnation of the veteran series, despite the glossy modern city setting and trappings thereof. As a standalone film? Not so much. But then it was always going to be one for the fans, a gateway into Square Enix’s next grandiose adventure.

So, it’s official: Final Fantasy XV has been delayed. Rumours sprang up over the weekend, based on conversations with retail sources and backed up by photos of marketing materials, but yesterday director Hajime Tabata confirmed it to be true, with the long-in-development title being bumped from its original date of September 30th to November 29th.

In a video, which you can see below, Tabata explained that, while the game went gold a few days ago and the team had begun work on a day one patch, they had ultimately decided to push the release back to make sure these fixes could be pressed to the game discs that we’ll all be buying at retail. “Our objective with Final Fantasy XV was to deliver a Final Fantasy of the highest possible quality, to every single person who buys the game,” said Tabata, who went on to explain that, because not everyone who buys the game would be able to apply the patch, the team felt the best course of action was a short delay. Not only will the patch improve the game’s performance and overall polish, it will also contain “pretty substantial content,” added Tabata.

And so, we’ll be waiting a further two months to get our grubby mitts on the game. And while it might seem a ridiculous thing to say about a game that was announced ten years ago, it’s probably for the best they don’t rush this one out before it’s done. Not only are there a decade of fan expectations riding on it, but possibly the Final Fantasy brand itself, which has taken a bit of a battering in the wake of the Final Fantasy XIII trilogy and the disastrous launch of Final Fantasy XIV Online. While XIV 2.0 has seen an enormous turnaround to become a massive success, the brand is still in a bit of a precarious situation. Square Enix needs this one to be a hit.

Perhaps as some form of consolation, we have been treated to some new content to tide us over for a bit. First off, we now have the first twelve minutes of CGI tie-in movie Kingsglaive: Final Fantasy XV available to watch on YouTube. The film, which takes place just before the start of the game, begins with a scene-setting narration from Lunafreya Nox Fleuret, the princess of Tenebrae, who brings us up to speed on the state of the world, and the conflict between the magical nation of Lucis and the militaristic empire of Niflheim, who desire the crystal that powers Lucis’ prosperity. As a young Noctis visits Tenebrae with his father, the kingdom is attacked by Niflheim soldiers in an attempt on the Lucian royalty’s lives. Noctis and his father escape, but Tenebrae comes under imperial rule.

Later, we see a battle between Lucis’ Kingsglaive, an elite force of soldiers bestowed with the power of Lucis’ crystal, and the invading forces of Niflheim, made up of human and mechanical soldiers, as well as an assortment of quite horrific looking monsters, including enormous behemoths. There’s even a cameo from a ‘daemon’ that fans of Final Fantasy VII will recognise. It’s been a fair while since we’ve had a CGI film out of Square Enix, and it’s clear to see the upgrade from Advent Children; Kingsglaive simply looks photorealistic at times, especially where character faces are concerned. The editing can feel a little schizophrenic during action scenes, as if the director was on a days-long Red Bull binge, but it does serve to give this first huge battle a frantic feel, and it’s certainly a hell of a spectacle, as the two forces clash over an abandoned town on the edge of a huge, precipitous rock bridge.

Ultimately, this quick look at Kingsglaive: Final Fantasy XV isn’t going to sate your thirst for anything FFXV-related, as it’s likely to just leave you wanting more. At least the full film will be available to download in just two weeks’ time.

The second bit of new content has just been made available to coincide with the start of Gamescom in Cologne, where the game is playable from the start. Unsurprisingly, it’s a gameplay video from the very beginning of the game, and it runs for almost an hour. This footage has been taken from the gold master version mentioned in Tabata’s apology video, so we can get a look at how the game runs at this stage in development, before the addition of what would have been the day one patch. Fans who played last year’s Episode Duscae will feel immediately at home as, after a rather interesting bit of foreshadowing, the game begins with Noctis and his retinue arriving at the Hammerhead garage to get their broken down car fixed. Luckily, this time Cindy isn’t asking them to hunt down an enormous behemoth, and instead charges them with a bit of simple pest control to pay off their debt.

There are changes though. The party meet Cid almost immediately, and the Hammerhead itself isn’t actually in Duscae this time, but the neighbouring region of Leide. So if you’re sick of seeing the green fields and shimmering lakes of Duscae, at least now you can look at some parched, mountainous scrubland instead. Result? Throughout the fifty-minute clip, we get to see plenty of features of the game, taking in combat, quests, camping, driving, and even a smattering of cutscenes, though with some judicious editing to make sure we aren’t spoiled too much. The footage comes from the first three chapters, which Famitsu report took them 25 hours to get through, so we’re getting a pretty in-depth look at the early stages of the game here.

Final Fantasy XV looks to be in pretty great shape from this extended look, and though it’s a pain to see it delayed just as it was getting close enough to grasp, we can’t complain about a bit of extra time to polish it up to a pristine shine. And besides, after ten years, what’s a couple of extra months?

Not content with creating just one new class of enemies, Gears of War 4 developer The Coalition has this week unveiled a second all-new faction. This time, they’re robots.

The unveil comes in a new campaign video, courtesy of IGN, which features grumpy old man Marcus Fenix leading the new generation through his burning home, while fussing about his tomatoes – a fixation he has apparently inherited from his old buddy Dom. The eight minute clip gives us our first look at the ‘DeeBees’, robotic shock troops that come in at least four flavours. First up is a small, rolling drone that seeks the player out before exploding, much like Gears 2‘s ticker, and just like the tickers you can swiftly boot them clear. Next up are two humanoid units, one a fairly normal-sized adversary, the other a much larger, sturdier variant called a ‘heavy’, which comes equipped with a short dash to help it evade fire, close distance or even hurdle straight over cover. Lastly, and most interestingly, there’s the Guardian, a shielded airborne unit somewhat reminiscent of Halo 2‘s Enforcer sentinels.

Of course, this new class also brings fresh weaponry to the fight, and all four new guns look like a treat to use. The Enforcer immediately calls to mind Halo 5‘s SMG, though perhaps a little rangier, while the chunky, rectangular Overkill looks like some kind of super-shotgun, absolutely shredding enemies at close range. Then there’s the Embar, a railgun-type rifle that charges up to deliver enormous damage at more of a distance. Lastly, we have a successor to the Mulcher, a triple-barrelled monster called the Tri-Shot that seems like an amalgamation of the aforementioned chaingun and Gears 3‘s utterly ridiculous One-Shot.

One thing that comes to mind watching this new footage is quite how powerful these new weapons look, and it makes me wonder if that means we’ll see these new enemies used fairly sparingly throughout the campaign. Of course, there’s the question of where these ‘DeeBees’ come from, and I wonder if that name is itself a hint, with their creator perhaps being the original trilogy’s resident smart-arse Damon Baird. He’s portrayed throughout the series as a man who can make anything with two sticks and a piece of old gum, so it stands to reason he’d be building things for the new government in a post-war world. They’re clearly out to get JD, Del and Kait – the former two having deserted – and I wonder if they serve as a means to make the Coalition of Ordered Governments something of an antagonist without the developers having to resort to human-on-human combat, something fans didn’t take to very well with 2013’s Judgement.

Do not mess with this man's tomatoes

Do not mess with this man’s tomatoes

While the DeeBees are something new thematically, they do mostly fall back on established archetypes, and along with the Swarm drones’ familiarity to the dearly-departed Locust, fans may be feeling that The Coalition are playing it a little too safe. Though as Rod Ferguson, head of The Coalition, has previously said, the team need to do it right before they can do it differently – with their first game, they need to prove they understand the fundamentals of Gears before they go too crazy with it. Happily, everything we’ve seen of Gears of War 4 so far suggests that the Vancouver team know exactly what they’re doing, with their game looking like a proper Gears campaign, but with the addition of some shiny new toys – and some seriously inclement weather – to play with.