Archives for category: Handhelds

Switch console
I’m pretty excited about the Switch. I have to admit, I like the idea of a hybrid console quite a bit; while I love my home console blockbusters as much as the next person, I have a lot of admiration for my handhelds, because they offer games that either don’t see release on home console, or that just make sense to play on a smaller screen wherever you are. Games like Danganronpa, Steins;Gate and Bravely Default, and others like Rhythm Thief, Yomawari and Etrian Odyssey make systems like the Vita and 3DS worth owning, so the prospect of a machine that gives me both my handheld fix and Nintendo’s evergreen home console titles certainly excites.

Before the unveil, when rumours of a hybrid console were still just that, Nintendo moved to consolidate its handheld and home console teams, leading many to believe that their new machine would give gamers the best of both worlds in one box, offering a steady stream of typically home console-style titles and more traditional handheld fare, all in one place. Post-reveal however, the waters were muddied somewhat when Reggie Fils-Aimé, President of Nintendo of America, stated that the Switch would not serve as a replacement for the company’s current handheld, the 3DS. This statement was further strengthened when, during a Nintendo Direct stream for the Fire Emblem series, a new handheld-only title was announced.

Of course, it’s a good thing that Nintendo are continuing to support their 65 million-strong 3DS userbase, but the only thing I could think in the aftermath of that announcement was, “why couldn’t they put that on the Switch as well?”

Fire Emblem Echoes: Shadows of Valentia, a ground-up remake of the Japan-only 1992 Famicon game Fire Emblem Gaiden, lands on the 3DS in May, just two months after the Switch itself hits store shelves supported by a pretty meagre launch line-up. Of course, by May, new Switch owners will also be able to get hold of Mario Kart 8 Deluxe, a Game of the Year-style port of the Wii U kart racer, as well as, presumably, a handful of other games, such as Disgaea 5 and Puyo Puyo Tetris. And while there was also an announcement for a new, Switch-only Fire Emblem at that Direct presentation, it won’t see release until sometime next year. So it strikes me as a bit odd that Nintendo didn’t think to put Echoes out on both systems, giving gamers the choice of where (and how!) they want to play the game, while also bolstering the Switch line-up at the same time.

It seems to me that Nintendo have an opportunity here to both beef up their new console’s catalogue and transition gamers over from the 3DS, by releasing those handheld games – and I’m making the assumption here that Echoes won’t be the last ever game made for the 3DS – on the Switch too. One problem here could be price, as gamers aren’t likely to pay significantly more money for a game that they could just get on their existing 3DS, and pre-order pricing for Switch games is currently a bit out-there (Super Bomberman R for fifty quid, anyone?). What I’d like to see Nintendo do is to make the games available on the same day and, crucially, at the same price for both systems. I’d be perfectly happy to pay, say, £30 to play a Fire Emblem Echoes or a Link Between Worlds-style Zelda adventure on my Switch, filling the gaps between the likes of Splatoon 2 and Super Mario Odyssey.

Project Octopath Traveler, from the Bravely Default team, suggests we will see smaller-scale, traditionally handheld-style games on the system.

Project Octopath Traveler, from the Bravely Default team, suggests we will see smaller-scale, traditionally handheld-style games on the system.

This is a new concept for a games machine, one that can be used as either a handheld or a home console, so lets see it take advantage of that unique selling point and bring as many games into our hands as possible. Handhelds like the 3DS and Vita are overflowing with tons of little Japanese curios, visual novels, old-school jRPGs and rhythm-action games, and sadly, eventually those systems are going to be put out to pasture. I want the Switch to pick up that slack, to continue that legacy, while pushing up the minimum target spec, allowing for more technically-impressive handheld games while also bringing Nintendo’s stellar home console output right into my lap, all at the same time. I want to see Nintendo really embracing the handheld aspect of the Switch; I want to see it become a super-powered successor to the Vita and 3DS as much as it is a sequel to the Wii U, even if they do keep insisting its primarily a home console.

Because if they mean to support the Switch and the 3DS separately, we have to wonder why they ever bothered to merge their handheld and home console teams in the first place.

Nintendo Switch
Nintendo have finally unveiled their next platform, and it’s called Nintendo Switch.

Coming next March, Nintendo debuted the machine in a three-minute lifestyle video this afternoon, and it seems the rumours were right. The Switch sees Nintendo merging their handheld and home console strategies into one flexible platform, with a tablet that you can either attach tiny controllers to and take on the go, or dock at home to connect to your television. The console uses 3DS-like cartridges for its games because, obviously, you aren’t going to want to take a wallet of optical discs with you when you’re out and about, and while handy, this would seem to be the death knell for physical backward compatibility.

We’re yet to see official specs for the system, but NVIDIA this afternoon revealed that the Switch is powered by a custom Tegra system-on-chip – an ARM part, and another detail that has long been rumoured. Given that we don’t know what this custom SoC actually is (both X1 and the upcoming X2 have been rumoured), it’s difficult to guess at how the Switch will perform – at least relative to the Wii U, as it’s unlikely to trouble either Xbox One or PS4 in performance. But more important than that, surely, are the games that the machine will run.

If the leaks and rumours have taken a bit of the surprise out of the console reveal, there was at least the unexpected appearance of the upcoming Skyrim remaster in the reveal trailer, as someone was shown playing Bethesda’s fantasy RPG on a plane, before returning home to dock the tablet and continue their adventure. Also present were Mario Kart 8 and Splatoon, two titles which have been rumoured to be getting ports to the new platform, as well as The Legend of Zelda: Breath of the Wild, NBA 2k17 and a 3D Mario game. Nintendo have also announced a selection of the third party support the Switch will, hopefully, enjoy, which includes names like Telltale, Take Two, From Software and more. You can see a larger list on this handy slide.

So let’s talk a little more about the hardware. As above, we don’t have specs yet, but we can talk in a bit more detail about the ways in which you’ll play the Switch. The tablet comes with two small detachable controllers, each containing an analogue stick and a collection of face buttons. These ‘Joy-Cons’ can be used separately, with one in each hand, or attached to a controller-shaped unit called the Joy-Con Grip to create a more traditional, albeit odd-looking, controller option. The Joy Cons can also be used for multiplayer games, with each player using one, and then there’s the Nintendo Switch Pro Controller as a separate option.

Swicth Options

It’s an interesting strategy for sure, and I think it makes sense given Nintendo’s relative strengths; their handhelds have pretty much always outpaced their home consoles in sales, and it’s hard not to argue that the 3DS has enjoyed better third party support than the Wii U. Indeed, even in an apparently shrinking handheld market, the 3DS has managed almost 60 million sales, so it’s not a bad idea for Nintendo to make an attempt at unifying both of those markets. With the Switch being fully capable of handheld play, it’ll be interesting to see how long the company continue to support their current portable system, but if the Switch comes in at a reasonable price and gets the next mainline Pokémon game, it could do very well for itself indeed.

The Switch concept is unlikely to do much for those that have been clamouring for Nintendo to just release a simple, traditional home console free of gimmickry or new ideas, but as someone who plays handhelds quite a lot, I’m pretty optimistic about it. I love my Vita, but one of the reasons I was excited for it in the first place was the promise of console quality games on the go. While there’s still a ton of interesting games coming to that platform, the bigger budget titles have long since dried up. With Switch, the possibility has returned, and even if third party content does slow to a Wii U-style trickle, there’s still the promise of playing Nintendo’s own games, like Breath of the Wild, while you’re on the go.

For now, we’ll have to wait for hardware specs and launch pricing, but you can check out the unveil trailer below.

Sonic 25th anniversay
After much teasing and dropping of hints, Sega have finally announced what’s next for Sonic the Hedgehog in this, his 25th year. The Blue Blur will be speeding through 2017 in not one but two new games, with the retro-inspired Sonic Mania set to launch next Spring and a new main series entry, currently called Project Sonic 2017 due later in the year.

The two games were announced at Sonic’s birthday party at San Diego Comic Con, which was also streamed live on Twitch and YouTube. Unfortunately for those of us at home, the stream was a bit of a mess; it started much later than advertised, and then suffered persistent audio problems, with sound occasionally dropping out entirely. In fact, the stream was so buggy that one wondered if the surprise announcement would be a straight port of Sonic 06.

Thankfully we were spared the horror of that alternate reality. So let’s look at the first of these new games, Sonic Mania. As if to appease those fans that are constantly calling for a more classic Sonic experience, Sonic Mania looks like a lost Megadrive game, and development is being led by Christian ‘Taxman’ Whitehead, known among Sonic fandom for his work on ports of Sonics 1, 2 and CD, using his own Retro Engine. He was joined on-stage by head of Sonic Team Takashi Iizuka, who mentioned that along with all new levels (one of which, Studiopolis Zone, is shown off in the reveal trailer), classic levels will be present and remixed in the new game. Graphics, movement and momentum all look absolutely spot-on, as you’d expect from Whitehead, but beside fresh stages there’s also a new gameplay mechanic in the Drop Dash, which seems to allow you to initiate a spin dash in the air, zooming off as you hit the ground. It looks like it’ll be great for sudden changes in direction while maintaining momentum. Sonic Mania was playable at the event, so there’s already plenty of gameplay footage on YouTube, but for us mere mortals unable to attend the party itself, the new game is currently scheduled to launch on PC, PS4 and Xbox One next spring.

So we’ve got our classic, 2D Megadrive-y Sonic covered, what about Modern Sonic, I hear you cry? Well, held back until the very final moments of the party was a reveal trailer for Project Sonic 2017. Although Iizuka made a point of saying that the new game was not a sequel, but a “brand new experience”, it’s difficult not to see the game as Sonic Generations 2. Indeed, the trailer sets the scene by proclaiming, “From the team that brought you Sonic Colours and Sonic Generations” leading us to believe it’ll be a return to the successful ‘boost’ formula seen in those games, as we see Modern Sonic boosting, jumping and sliding. Moments later, he’s joined by Classic Sonic as the pair team up, just as in the hedgehog’s last anniversary game.

Fans have been hoping for a return to the playstyle of daytime-Unleashed/Colours/Generations for a good few years now, after both Lost World and spin-off Sonic Boom each failed to impress, but one thing that may give pause is the tone of the trailer. Opening on a devastated city (that looks suspiciously like the one from City Escape to me…) under attack from enormous automatons that look more than a little bit like Sonic 2‘s Death Egg Robot, the colour palette is muted, swamped in browns, and the final tagline of the trailer reads, “Join the Resistance.” Hmm. Hopefully the full game is not too self-serious, as that just doesn’t work very well for Sonic (you need only take a look at Sonic Adventure 2, Shadow the Hedgehog or the aforementioned Sonic 06 for proof of that). I don’t think we’re going to be looking at a grimdark Sonic though – the last few franchise entries, even as far back as Unleashed, have been generally breezy, ‘Saturday morning cartoon’ affairs, and it feels like the people at Sonic Team now realize this is where the franchise needs to be. Project Sonic 2017 is slated for late next year, and will hit PC, PS4, Xbox One and Nintendo NX.

Alongside the game reveals, the party was of course a general celebration of everything Sonic. We got a brief look at both Sonic Boom: Fire and Ice for the 3DS and the character’s appearance in Lego Dimensions, as well as a short clip from Season 2 of the well-regarded Boom cartoon; the cast even came out on stage to do a script reading, but unfortunately the stream rather annoyingly cut away from this. The tone was often completely, bafflingly, bonkers, with random interjections for such mundanity as a nacho tasting session from one of the sponsors, but it opened up to a rather half-hearted, lethargic set from Hyper Potions, complete with a lifesize, very Mikudayo-looking Sonic mascot who waddled onto the stage to throw some uncomfortable-looking shapes. Sonidayo later returned to the stage alongside Hello Kitty, for possibly the most inexplicable crossover you could imagine. It did, however, allow me to gif this.


Yep. Totally worth it.

Other than the games, the highlight of the night came when legendary Sega composer and Crush 40 guitarist Jun Senoue hit the stage to play some of the band’s Sonic themes. To be honest, it felt a little weird at first to see Senoue jamming along to a backing track, but I have to admit to grinning like an absolute loon when he started to play Escape from the City, encouraging the crowd to sing along, and when he followed that up with Open Your Heart, joined onstage by Crush 40 singer Johnny Gioeli, I was not at all surprised to find myself actually singing along. Well ok, not singing, as it was about 3:30 am, but mouthing the words, at least. It was a performance that lacked a bit of the energy you’d have got from a full band playing live, but it was still a great treat for the fans, especially those that love the music of the Sonic series. It must have been fun to be there in person.

This was an event by and for Sonic fans, and by all measures it was a massive success. As a Sonic fan, I’d have loved to have been there myself. However, the series still faces struggles in the wider market; Sonic remains a big brand in gaming, but the ‘Sonic Cycle’ is still in full effect, with the last two big games undoing all the good that Colours and Generations managed to do. With a return to a proper classic style of Sonic, as well as a game that looks to be expanding on those two excellent ‘boost’ games, it certainly looks like we’re on the upswing again. The only way it could be any better is if there was also a Sonic Racing 3 on the cards. Ooh, just imagine.

[Credit for Crush 40 live clips: W10002 on YouTube.]

A while back, I commented on Sega of Europe’s hesitance to announce localisations for their own games, and happily, we are now starting to see some movement in this area, as Sega and its subsidiary Atlus last week announced a partnership with Deep Silver to publish a number of titles in Europe.

Atlus fans can breathe a very large sigh of relief as, thanks to this deal, we’ll be getting both digital and physical releases for both Persona 5 and Shin Megami Tensei IV: Apocalypse (it’s worth remembering that the original SMTIV didn’t even receive a physical release in Europe). Surprisingly, Deep Silver have also picked up Sega’s 7th Dragon III Code: VFD, the third game in a series that has, until now, never seen a release outside of its home nation. This is great news in itself, as many were beginning to think that the 3DS title would never see release in Europe, despite now being out in the US.

Persona 5

Deep Silver’s press release mentions that the “…publishing deal will cover the wide array of future titles for both physical and digital versions across PAL territories,” so hopefully we’ll also get some more releases out of this development; one franchise conspicuous by its absence is the Hatsune Miku: Project Diva series. The latest release, Project Diva X, hits American shelves next month, while Japan has just recently been treated to a lavish port of Future Tone, the previously arcade-only outing. While the latter is currently Japan-only, there’s been no word on whether we’ll see Diva X on European shores, so whether Sega plans to publish the game itself in this part of the world or ignore it completely is, unfortunately, unknown.

It’d be a shame if the game fails to see a release here, as it’s managed to establish itself, as well as the entire Vocaloid phenomenon, quite well so far – a digital-only PS3/Vita release of Project Diva f did well enough to earn a physical release for the sequel, again on PS3 and Vita, while the second game did well enough in turn to ensure a boxed release of Project Mirai DX on the 3DS. Given their deal includes 7th Dragon, I’m actually quite surprised there’s been no word on Project Diva X, assuming it was on the table, of course. It’s hard to imagine a situation where Deep Silver would pass up a reasonably established franchise in favour of picking up an unknown property that’s never left Japan, and thus will have to build a fanbase from scratch. Strange times, indeed.

7th Dragon III

Quite how it has come to this – with Sega of America and Atlus USA brokering a deal to get games out in Europe, while Sega of Europe apparently sits on its hands – is anyone’s guess. It doesn’t do much at all for those fans that feel SoE couldn’t care less about them, but I guess at least we’re going to be seeing releases – physical ones at that – actually make it out here. If it has to happen withough SoE’s involvement, so be it. Atlus at least has prior with Deep Silver, having partnered with them to bring 360/PS3 puzzler Catherine to Europe, so perhaps this earlier business relationship is what lead to the current state of affairs.

While it may be a bit odd, at least we now know we’ll be getting these games at some point, and that’s the most important thing to take from this turn of events. We’ll just have to pray for Miku.

Back in July, newly-appointed CEO of Sega Games Haruki Satomi admitted the company had some work to do: “I’ve been talking to the employees about how we should start putting serious consideration into quality from this point on,” Satomi told Japanese publication Famitsu. He added that Sega had learned a lot from its acquisition of Atlus, at least in terms of the western market, stating, “If we can make a title with proper quality, I believe there’s a good chance for it to do well even in the West for players that like to play Japanese games.”

At the time, many reacted with cynicism. There’s a weight of history that has conditioned people to expect little from Sega over the last decade and a half (which is probably a touch unfair, considering the undeniable quality of some of their releases over that period), which led to some passing the comments off as nothing more than lip service. However, recent signs seem to be suggesting that Sega may well be in danger of getting their act together.

First, November brought us news of both a remaster of the cult favourite PS3 strategy RPG Valkyria Chronicles and a new entry in the series, entitled Valkyria: Azure Revolution, both for the PS4. Fans had long since given up any hope of seeing anything done with the series; except for a port of the first game to Steam back in November 2014, the franchise has seen no movement since the Japan-only PSP game, Valkyria Chronicles 3, which is now five years old. The last title we got in the west was the second game, also on PSP, which came out in 2010, so to say these developments came as a surprise is something of an understatement. So far, only the Valkyria Chronicles remaster, out now in Japan, has been announced for a western release. Hopefully, good sales will encourage Sega to localise Azure Revolution, too.

Valkyria: Azure Revolution

In early December we received confirmation of a western release for a new title in Sega’s evergreen Yakuza series, as Sony’s Gio Corsi took to the stage at PlayStation Experience 2015 to announce that Yakuza 0, a prequel to the main series set in 1988, would be making its way to PS4 in the west. It’s always good to get confirmation for localisations in the Yakuza series, as it has had something of a rough ride outside of Japan, with three (spin-off) instalments entirely MIA. The latest in the series, Yakuza 5, only made it to PS3 a couple of months ago – three years after its Japanese release, and even then only as a PSN download – while the recently-released Kiwami, a remake of the first game, and the forthcoming Yakuza 6 have both yet to be announced for localisation.

Then there was the more recent announcement of a retail release for the 3D Classics line, a collection of classic Sega Arcade, Master System and Megadrive games, including Thunder Blade, Fantasy Zone 2, Altered Beast and more, that have been releasing one at a time on the Nintendo 3DS eShop. There are two such collections in Japan, with only the second one set for release in the west, but hey, one is certainly an improvement over none, right?

And just last month there was news of yet another localisation, and this one is surely the most surprising of the lot. 7th Dragon III Code: VFD is an RPG for the 3DS in a series that has never escaped Japan – especially galling for fans of Sega’s older RPG lines, as it’s produced by one Rieko Kodama, creator of Phantasy Star and Producer on Skies of Arcadia, and directed by Kazuya Niinou, director of the Etrian Odyssey series. Oh, and did I mention the series has music by Yuzo ‘Streets of Rage’ Koshiro? Yes, now you’re seeing why this is a big deal: to think there’s been an RPG series with that pedigree that we’ve been missing out on since 2009! Sega’s press release stressed that the game is a standalone title in the series, and as such newcomers can go into it completely fresh, which is rather handy.

Unfortunately, it’s not all sunshine and rainbows, as Sega may be learning from Atlus in more ways than one. “Atlus hates Europe” is pretty much its own meme at this point (seriously), and at this rate, “Sega hates Europe” may well end up being a thing, too; of those four games listed above, only one – Valkyria Chronicles Remastered – is currently confirmed for a European release, and considering the game has already been released here on PS3 and PC, it’s perhaps the least exciting of the bunch. Rather cruelly, the trailer shown for Yakuza 0 at PlayStation Experience appeared to confirm a European release, only for Sega to later clarify that it was an error, and that an EU release could not be confirmed.

Of course, the lack of European announcements doesn’t mean these games won’t be localised, but even so it’s not exactly encouraging. Still, at least in the case of any PS4 titles, while far from ideal, it wouldn’t be the end of the world if they do remain JP/NA-exclusive thanks to the PS4 being region free. The real issue is those 3DS games, thanks to that console’s region lock, and it’d be almost tragic in the case of 7th Dragon that the series would finally make it out of Japan, but still be unplayable for those of us in Europe. Perhaps it’s worth taking to Twitter to convince Sega Europe that we’d like these games, too.

At any rate, it’s good to see Sega are actually going to be making some new games that aren’t Sonic and Yakuza (though we can expect a new Sonic game this year for the franchise’s 25th anniversary), so let’s hope this is a sign of greater things to come.

Tomorrow, the sequel to one of the 3DS’ most celebrated jRPGs hits European shores, as Square Enix’s Bravely Second: End Layer lands on store shelves. Like Bravely Default before it, the sequel is also getting a deluxe collector’s edition, and because I bought that, I also bought this. Because I’m a sucker for limited editions.

So, what’s in the box? Well, it’s a similar deal to the first game, containing a large art book (the main draw for me), a figurine and a mini soundtrack CD alongside the game – there’s no pack of cards this time, however. One of the things that surprised me with the original game’s limited edition was the size of the box, and there’s little change here; while the box is a different shape, it’s still huge. Where am I going to put this thing!?

Bravely Second Deluxe Collector's Edition

Opening the box, we’re greeted with a lovely piece of black and white art of new character Magnolia on the inside lid, as well as a look at the game box, the soundtrack CD, and the miniature figurine of Agnes in a small box, all sitting in a cardboard tray. Lifting out this tray, we find the art book hiding underneath.

Bravely Second open box

Below, you can get a look at the full contents of the box, before we take a closer look at a couple of the items.

Bravely Second full contents

Probably the only complaint levelled at Bravely Default‘s collector’s edition was the quality of the included Agnes statue. While quite large and weighty (I believe it’s made of polystone), the paintjob was pretty messy, and it just didn’t really look like Agnes at all. That’s been fixed for Bravely Second; while the figurine is much smaller and made of plastic, it actually looks like Agnes, and is a much greater representation of both her in-game look and Akihiko Yoshida’s artwork. In the gallery below, you can see a comparison of the two, but here’s a close look at the figure itself.

Bravely Second Agnes figurine

Last up, here’s a look at the art book, the headline item as far as I’m concerned. Unfortunately, it’s not hardback like the original game’s book, however, we’re getting a much thicker tome this time, and it’s not just an art book. Here we have a full design works book, collecting production sketches and artwork from right across the game’s development. Included are the original Japanese notations, complete with English translations. I haven’t looked too deep into it for fear of spoilers, but a quick flick through suggests this book will be an absolute must have for fans. Also, upon opening it, we’re treated to that same piece of artwork of Magnolia that I mentioned earlier, only this time in glorious colour. See more, including a couple of comparisons with the original book, in the gallery at the end.

Bravely Second Design Works

Overall, I’m very happy with my purchase. Coming in a little cheaper than the original Deluxe Collector’s Edition, with a couple of definite improvements over some of the included items, it’s a nice treat for fans. Now I just have to find the time to play the game! For now, enjoy the gallery, and the game if you’re getting it this week.

Gravity Rush's Kat
A quick (mildly passive-aggressive) heads-up for the PS4 owners among you: Gravity Rush Remastered hits UK shop shelves today, and you should absolutely go and buy a copy.

Originally released on PlayStation Vita back in 2012, Gravity Rush has since become a cult favourite for fans of the under-appreciated handheld, and now it’s coming to a wider audience, fans are hoping it can attract a whole new fanbase on home console. Honestly, it’s a miracle we’re getting a sequel, which is coming to PS4 sometime this year, so if you never had access to a Vita, now’s the time to play this unique, wonderful game from Sony’s Japan Studio.

The Vita game had a wonderful effect where the horizon became a sort of abstract sketch to mask the draw distance. Thankfully, Bluepoint have retained the effect on PS4. I loved it then and I love it now.

The Vita game had a wonderful effect where the horizon became a sort of abstract sketch to mask the draw distance. Thankfully, Bluepoint have retained the effect on PS4. I loved it then and I love it now.

So what is Gravity Rush, exactly? I’m glad you asked. It’s a mission-based open world game, though it’s different from any you’ve played before. Well, maybe Crackdown is the closest thing to it – certainly in the way that collecting gems to power up Kat is just as addictive as hunting down Crackdown‘s agility orbs – but even then the two games aren’t particularly alike. It’s effectively a superhero origin story, starring a teenage amnesiac, and you’re already beginning to roll your eyes and groan, imagining lots of attitude and a dark backstory. Well, it’s the opposite of that. Gravity Rush‘s protagonist, Kat, has no backstory. And she doesn’t have much of an attitude, either. She wakes up one day in the city of Hekseville with no memory of who or where she is, finds she has the power to manipulate gravity through a mysterious cat she names Dusty, and then she promptly sets out to cheerfully help the people of the city as they find themselves under attack from strange monsters called Nevi.

I said Kat can control gravity, remember? Well, the whole game is built around that. With the tap of a button, you can untether her from gravity altogether, and then decide at will which direction you want to ‘fall’. The city is one huge playground for your to fling yourself around – through, over and under, as Hekseville rather strangely just floats in a void. The ability to realign gravity means Kat can walk on walls, drop horizontally to travel at speed, or simply just fall into the sky. You can see what I mean in the video below, which shows ten minutes of early-game play, as our heroine sets up a home for herself.

I love games that make it a joy just simply getting around the world and exploring, and in that respect, Gravity Rush is one of the best. Add to that beautiful art, a soundtrack with serious earworm potential and a likeable, engaging lead and you’ve got something really special. The conversion has been masterfully handled by remaster specialists Bluepoint, who have done a wonderful job bringing the game up to PS4 standards while respecting the art and aesthetic of the Vita original, and at just half the price of a standard new game, how can you say no?

Well, don’t. Go and grab a copy and maybe we can all make sure that Gravity Rush 2 is a smashing success. Sony may have sent this game out to die with no marketing, but we can show them that unique games like this have a place in the market.