Archives for posts with tag: Kingsglaive: Final Fantasy XV

regalia
Little more than two weeks before the release of Final Fantasy XV, Square Enix released the third and final demo for their ambitious open world adventure. First there was Episode Duscae, our first proper look at Final Fantasy XV that released more than 18 months ago, as a bonus for those purchasing Final Fantasy Type 0. Then, as the company held a lavish event this past March to announce the (now missed) original release date for the game, we were, ahem, ‘treated’ to the Platinum Demo. With each demo, there has been as much to complain about as there has been cause for celebration, but this time the good massively outweighs the bad; this latest taster, Judgment Disc, shows not only that the game has come along in leaps and bounds, but that the two months Hajime Tabata’s team bought themselves back in September have been wisely spent indeed.

Of course, before we get into the gameplay and technical details of Judgment Disc, it’s important to note that it is a Japan-only demo. As such, if you want to play it, you’ll need to either change your Xbox region to Japan, or create a Japanese PSN account. As there’s no English text or speech, you could also do with some working knowledge of spoken and written Japanese. I have neither, but managed to stumble through the demo regardless (though not without a couple of issues, as I’ll get into later).

Getting into the demo itself, the first thing you’ll note is that it both looks and performs much better than either of the previous releases; offering nice clean image quality and steady frame rates, Judgment Disc shows Final Fantasy XV looking and feeling better than it ever has before. It’s even noticeably improved from the Gold Master footage Square Enix made available in the days after the delay announcement, so there’s no doubt that pushing back the release was absolutely worth it. The chunk of the game we’re given picks up right from the start, with the unexplained (and somewhat bewildering) chapter 0 flash-forward giving way to the present day as Noctis and chums must push their broken down car along a sun-baked highway to Hammerhead, before moving onto Galdin Quay in hopes of catching a boat to Altissia so that the prince can make it to his wedding in time.

Before long, you’re set free and out into the sandy region of Leide, to hunt monsters as payment for your car repairs, and it becomes immediately obvious that the chunk of world we’re given to run around in is absolutely vast, the generous demo recalling memories of Panzer Dragoon Saga‘s entire first disc being given away on the cover of Sega Saturn Magazine back in May ’98 (I still have that disc!). Indeed, it’s a shame that this demo hasn’t been made available to everyone, such is the positive impression it leaves; few will have played the promising Episode Duscae, tethered as it was to first print purchases of Type 0, and Platinum Demo really wasn’t something that deserved to be most people’s first point of contact with the game. Granted, it’s easy enough to get your hands on Judgment Disc – especially on Xbox One – but the fact that all text and voice is in Japanese will be off-putting to some.

If there’s one concern I do have at the moment, it’s that, at this admittedly very early point in the game, I think I preferred the combat in Episode Duscae – well, certain aspects of it at least. The systems are broadly similar of course, with Noctis switching between four weapons, stringing together combos as he goes, all the while dodging enemy attacks with an MP-draining defense stance or a more traditional dodge-roll. What’s different here is that, rather than building your combo by placing weapons in specific spots, influencing when and how they’ll show up in your ongoing assault, you now have the ability to switch weapons in real-time, a change originally seen in the Platinum Demo. This is absolutely A Good Thing. What’s less welcome, however, is the absence of Duscae‘s weapon-specific Techniques. In that first demo, each weapon in Noctis’ armoury had a powerful ability attached to it – his Blood Sword, for instance, offered Drain Blade which, after a short wind-up would hit the enemy and transfer some of it’s vitality to Noctis, while his Dragon Lance would grant you access to that iconic Final Fantasy Jump command. While we’ve known about this change for a while – they were also missing from the adult Noctis battle at the end of Platinum Demo, for instance – it’s still a rather disappointing change, and can serve to make combat feel a little more one-note than it previously did; while the game still isn’t a case of ‘hold circle to win’, as many detractors would claim around Duscae‘s release, it does now feel a little closer to that than it previously did. That being said, these Techniques do have a replacement here, of a sort. They’ve been given to your allies.

Well, kind of. You see, above your weapon UI, there’s a green bar with a few notches along it that fills as you battle enemies. Attaining a notch on this metre allows you to perform a party attack, ordering one of your entourage to carry out a specific ability. For instance, Gladio, Noctis’ beefy bodyguard, will perform Tempest, a wide-sweeping sword attack that pulls enemies together and was last seen attached to Noctis’ Engine Blade in Duscae. Ignis and Prompto have their own abilities of course, with Prompto firing a piercing shot at the targeted enemy and Ignis throwing his daggers out to mark a number of enemies, which Noctis will then warp between. These actions are always enjoyable to use, and successfully landing one triggers a QTE which allows Noctis to follow up with a tap of a button. And while they are definitely an addition I like, as they make the otherwise-uncontrollable members of your party feel a bit more involved and under your control, I must question whether they had to come at the cost of Noctis’ own weapon techniques, which were, more often than not, a risk/reward mechanic in Duscae, as they needed both a long wind-up and a good chunk of MP. Without this mechanic, the rhythm of battle has changed from one where you’d constantly be looking for a bit of time and space to slip in a damaging technique to one where you just attack until you build enough meter to trigger a party member into action, which then takes you out of the fight for a few seconds. Again, it’s very early in the game at this point, and I’m sure there’ll be later additions to the core combat system that shake up that rhythm somewhat.

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What’s a little more concerning is the somewhat unresponsive nature of your button presses. There’s a noticeable delay between pressing a button and having a command carried out; running through the world and jumping over obstacles will see you needing to press jump before you actually reach that obstacle, for instance. While this is something you’ll get used to fairly quickly, it’s exacerbated by the combat system’s reliance on animation priority, making it very easy to get stuck in the middle of a sword swing – especially with a slow weapon like the Engine Blade – and then take a hit despite holding down the defend button while you wait for the animation to finish. Animation priority alone would make the combat a little more ponderous, as you wait for an opening before committing to an attack (think The Witcher 2‘s sword combat) but marrying this to unresponsive button presses can and will cause frustration. Enemies are weak to specific weapons, so if you’re fighting a monster that requires you to use a heavy sword – like the crabs near Galdin Quay you can see in this article’s second video – you’ll probably end up getting knocked about before you land a hit. I’m hoping that the responsiveness will be improved for release (we will still be getting a day one patch, of course), but otherwise it’s something I’ll have to adapt to by playing much more cautiously, watching enemies for an opening rather than just wading in with a massive sword.

There is actually a mechanic in the battle system which seems to exist to give you a bit of breathing space, however: link attacks. Should you land a parry or a back attack while standing next to an ally, you might trigger a cool, cinematic co-operative attack with that party member. These segments always look fantastic – witness Gladio throwing Noctis into the air from the point of his sword, before the prince comes crashing down to earth with his spear – and like the aforementioned party actions, these also take you out of the action for a second or two. I can imagine that attempting to manoeuver yourself into a position to make link strikes happen as often as possible will be a big part of your combat strategy, giving enemies less of a chance to attack.

We got a brief look at magic usage in the Platinum Demo, and Judgment Disc gives us an opportunity to try out the game’s new spell-crafting system. Gathering magic is somewhat reminiscent of FFVIII‘s draw system, as throughout the world you’ll find naturally occurring deposits of elemental energy that you can absorb and then use to craft magic spells. Unfortunately, I couldn’t manage to wrap my head around the crafting mechanics, whereby you select an equippable magic bottle, an amount of elemental energy and then modifying items from your inventory to create spells with differing effects, such as a fire spell that will also poison your target. As I couldn’t read the text prompts, I had to settle for pressing all the buttons in hopes of making something happen but sadly, elemental mastery eluded me. It’s a system that should help add a few wrinkles to combat, and I can’t wait to get to grips with in the full game, but Judgment Disc does at least gift us a few uses of the base fire spell partway through the demo. Try not to throw it at your team mates. Or do, if you want to see them panic a bit, as magical friendly fire is a thing that exists in Final Fantasy XV.

Another aspect of the game that I look forward to finding out more about is sidequests. In the chunk of game offered here, you can take on hunts at local diners before heading out into the open world to exterminate troublesome mobs, but other than that side content seems a little thin on the ground. Again, not being able to understand the language puts me at a disadvantage here – for all I know, it’s possible to pick up additional quests simply by overhearing NPCs or reading in-game items – I’ll find out for sure when I have an English copy of the game. We’ve also seen some side content in the material Square Enix and various press outlets have put out in the last couple of months, it just remains to be seen how impactful that content will be; will it boil down to fetch quests and monster hunts, or is there something more interesting in there?

What is interesting is that we finally get to play with the Regalia this time. We came tantalisingly close in Episode Duscae, with the demo ending just as we were ready to get behind the wheel, but here we get to finally take our flash set of wheels for a spin. You can choose either to drive manually or let Ignis take control, and this mode is surprisingly enjoyable, as you’re left free to spin the camera around and enjoy the scenery, all the while listening to classic Final Fantasy tunes on the car radio. I can see myself driving all over just to enjoy some old school Uematsu magic, though if I have one piece of advice, it is this: do not forget to fill up on fuel!

Story remains my biggest interest, though. In a sense, I’m quite glad I can’t understand any of the text or dialogue in this demo – though I have seen all of this content in English, thanks to Square-Enix’s aggressive video policy post-delay, the language barrier has kept me from getting too interested in the goings-on of Noctis and his retinue, allowing me to focus solely on the gameplay. But this has always been one of the biggest draws for me in a Final Fantasy – following the narrative beats, getting to know the characters, and losing myself in the world – and having avoided all spoilers, I know just enough to be very interested in where things go from here. One thing I had been worried about was the absence of the imperial invasion of Insomnia – originally slated for the game and now only appearing in Kingsglaive – fearing that the events of the game might feel a bit disconnected from that really quite important story detail. Thankfully, the day one ‘Crown Update‘ will add scenes from the film (as well as the excellent Omen trailer) to flesh out the current state of the world, so that should help. As I mentioned in my Kingsglaive review, I am a little sad we’ll never see the Insomnia invasion in-game, but I’m ready to see where this version of the story takes us, and I can’t wait to join Noctis and crew on the road. After ten years of waiting, I can’t believe its merely days away.

So, it’s official: Final Fantasy XV has been delayed. Rumours sprang up over the weekend, based on conversations with retail sources and backed up by photos of marketing materials, but yesterday director Hajime Tabata confirmed it to be true, with the long-in-development title being bumped from its original date of September 30th to November 29th.

In a video, which you can see below, Tabata explained that, while the game went gold a few days ago and the team had begun work on a day one patch, they had ultimately decided to push the release back to make sure these fixes could be pressed to the game discs that we’ll all be buying at retail. “Our objective with Final Fantasy XV was to deliver a Final Fantasy of the highest possible quality, to every single person who buys the game,” said Tabata, who went on to explain that, because not everyone who buys the game would be able to apply the patch, the team felt the best course of action was a short delay. Not only will the patch improve the game’s performance and overall polish, it will also contain “pretty substantial content,” added Tabata.

And so, we’ll be waiting a further two months to get our grubby mitts on the game. And while it might seem a ridiculous thing to say about a game that was announced ten years ago, it’s probably for the best they don’t rush this one out before it’s done. Not only are there a decade of fan expectations riding on it, but possibly the Final Fantasy brand itself, which has taken a bit of a battering in the wake of the Final Fantasy XIII trilogy and the disastrous launch of Final Fantasy XIV Online. While XIV 2.0 has seen an enormous turnaround to become a massive success, the brand is still in a bit of a precarious situation. Square Enix needs this one to be a hit.

Perhaps as some form of consolation, we have been treated to some new content to tide us over for a bit. First off, we now have the first twelve minutes of CGI tie-in movie Kingsglaive: Final Fantasy XV available to watch on YouTube. The film, which takes place just before the start of the game, begins with a scene-setting narration from Lunafreya Nox Fleuret, the princess of Tenebrae, who brings us up to speed on the state of the world, and the conflict between the magical nation of Lucis and the militaristic empire of Niflheim, who desire the crystal that powers Lucis’ prosperity. As a young Noctis visits Tenebrae with his father, the kingdom is attacked by Niflheim soldiers in an attempt on the Lucian royalty’s lives. Noctis and his father escape, but Tenebrae comes under imperial rule.

Later, we see a battle between Lucis’ Kingsglaive, an elite force of soldiers bestowed with the power of Lucis’ crystal, and the invading forces of Niflheim, made up of human and mechanical soldiers, as well as an assortment of quite horrific looking monsters, including enormous behemoths. There’s even a cameo from a ‘daemon’ that fans of Final Fantasy VII will recognise. It’s been a fair while since we’ve had a CGI film out of Square Enix, and it’s clear to see the upgrade from Advent Children; Kingsglaive simply looks photorealistic at times, especially where character faces are concerned. The editing can feel a little schizophrenic during action scenes, as if the director was on a days-long Red Bull binge, but it does serve to give this first huge battle a frantic feel, and it’s certainly a hell of a spectacle, as the two forces clash over an abandoned town on the edge of a huge, precipitous rock bridge.

Ultimately, this quick look at Kingsglaive: Final Fantasy XV isn’t going to sate your thirst for anything FFXV-related, as it’s likely to just leave you wanting more. At least the full film will be available to download in just two weeks’ time.

The second bit of new content has just been made available to coincide with the start of Gamescom in Cologne, where the game is playable from the start. Unsurprisingly, it’s a gameplay video from the very beginning of the game, and it runs for almost an hour. This footage has been taken from the gold master version mentioned in Tabata’s apology video, so we can get a look at how the game runs at this stage in development, before the addition of what would have been the day one patch. Fans who played last year’s Episode Duscae will feel immediately at home as, after a rather interesting bit of foreshadowing, the game begins with Noctis and his retinue arriving at the Hammerhead garage to get their broken down car fixed. Luckily, this time Cindy isn’t asking them to hunt down an enormous behemoth, and instead charges them with a bit of simple pest control to pay off their debt.

There are changes though. The party meet Cid almost immediately, and the Hammerhead itself isn’t actually in Duscae this time, but the neighbouring region of Leide. So if you’re sick of seeing the green fields and shimmering lakes of Duscae, at least now you can look at some parched, mountainous scrubland instead. Result? Throughout the fifty-minute clip, we get to see plenty of features of the game, taking in combat, quests, camping, driving, and even a smattering of cutscenes, though with some judicious editing to make sure we aren’t spoiled too much. The footage comes from the first three chapters, which Famitsu report took them 25 hours to get through, so we’re getting a pretty in-depth look at the early stages of the game here.

Final Fantasy XV looks to be in pretty great shape from this extended look, and though it’s a pain to see it delayed just as it was getting close enough to grasp, we can’t complain about a bit of extra time to polish it up to a pristine shine. And besides, after ten years, what’s a couple of extra months?